The Shore Issue 10 — Summer 2021
Audrey Anderson Plume
Lindsay Lusby
Machine as Well-Oiled Girl
We Do Our Best Work in the Dark
Jenn Koiter
Reading Tour
Sarah Brockhaus
Perennial
Half-Truths
I’ll Be the Canvas
Grace Li
plastic bag
Karen Rigby
Why My Poems Jump Speed Rope
Why My Poems Turn Forensic
Girl I Can’t Bring Back
Audrey Anderson Color Fictionalism (Concourse)
Brittany Atkinson
Missing the Funeral
Erin Wilson
There Will Be Enough Time Otherwise for Salaciousness and Ruin
John Sibley Williams
Chimera // Pablo Picasso
How to Pronounce Knife
And Other Acts of Mercy
Paul Ilechko
The Molecular Way
Audrey Gidman
History
Stella Lei
Olympia
A Gate Agent Prepares to Make a Boarding Announcement
Audrey Anderson Brackish
Todd Osborne
Ode to August Walker
Saturday
Bobby Parrott
Before We Were Small Enough
Toy Drum, Misplaced
William Littlejohn-Oram
Postlude
David Ford
Night in Africa
Matthew Valades
The Birth of Wichita
Little Song
Melody Wilson
Tongue Prophecy
Audrey Anderson Color Fictionalism (Fruiting)
Jared Beloff
Experiments with the Perception of Time
Still Life with Flowers, Shells, a Shark’s Head, and Petrifications
Papered Labyrinth
Russell Thorburn
Let Me Make You Bloodless in a Single Flash
Toti O’Brien
Body of Evidence
End of the Peninsula
Neanderthal
Trey Adams
Rings
Dare Williams
Pulasky County
Audrey Anderson Brine
Rebecca Patrascu
Slanted Aubade
McLeod Logue
Mother of Thousands (Devil’s Backbone)
An Undue Burned
Jeremy Rock
Buried
Jen Karetnick
The Opossum Is a Marsupial
Jordan Deveraux
Winterizing
Ifeoluwa Ayandele
Of Sniffing Faith & Breaking Bird’s Cage
Audrey Anderson Burgeon
Jeffrey H MacLachlan
Connoisseur Smokes Medok Cigarettes
Matthew Burnside
Technologies of Sorrow
Lawrence Di Stefano
Locking Up
Majda Gama
East End Aubade
Audrey Anderson
Art